Quince Duncan is a comprehensive study of the published short stories and novels of Costa Rica’s first novelist of African descent and one of the nation’s most esteemed contemporary writers. The grandson of Jamaican and Barbadian immigrants to Limón, Quince Duncan (b. 1940) incorporates personal memories into stories about first generation Afro–West Indian immigrants and their descendants in Costa Rica. Duncan’s novels, short stories, recompilations of oral literature, and essays intimately convey the challenges of Afro–West Indian contract laborers and the struggles of their descendants to be recognized as citizens of the nation they helped bring into modernity. Through his storytelling, Duncan has become an important literary and cultural presence in a country that forged its national identity around the leyenda blanca (white legend) of a rural democracy established by a homogeneous group of white, Catholic, and Spanish peasants. By presenting legends and stories of Limón Province as well as discussing the complex issues of identity, citizenship, belonging, and cultural exile, Duncan has written the story of West Indian migration into the official literary discourse of Costa Rica. His novels Hombres curtidos (1970) and Los cuatro espejos (1973) in particular portray the Afro–West Indian community in Limón and the cultural intolerance encountered by those of African-Caribbean descent who migrated to San José. Because his work follows the historical trajectory from the first West Indian laborers to the contemporary concerns of Afro–Costa Rican people, Duncan is as much a cultural critic and sociologist as he is a novelist. In Quince Duncan, Dorothy E. Mosby combines biographical information on Duncan with geographic and cultural context for the analysis of his works, along with plot summaries and thematic discussions particularly helpful to readers new to Duncan.
About the Author
Dorothy E. Mosby is an associate professor of Spanish, Latina/o, Latin American Studies at Mount Holyoke College in Massachusetts as well as the author of Place, Language, and Identity in Afro–Costa Rican Literature.
“One of the few studies of Duncan’s complete works to include his contributions to Latin American literature in all genres. It is through Mosby’s present study that the reader of Duncan’s works will appreciate his challenge to the hegemony that has constructed Costa Rican discourse of identity that allows room for the marginalized racial and ethnic groups only under the designation of folklore.” —Dawn F. Stinchcomb, author of The Development of Literary Blackness in the Dominican Republic
“This work makes a most significant contribution to the fields of Spanish American, Central American, and African diaspora literatures. It can be considered a ‘first’ in that it stands as an exhaustive analysis of the creative works of one of Costa Rica’s most prolific fiction writers, Quince Duncan. This work provides students, critics, and enthusiasts with the first critical study of Duncan’s literary corpus that takes into consideration his most recent works.” — Antonio D. Tillis, editor of Critical Perspectives on Afro–Latin American Literature