A hybrid-genre carnivalesque of trauma and rebirth, Fablesque harnesses the power of old tales to dispel the disenchantments of women and animals in the #MeToo era. Blending fiction and myth, personal essay, prose poetry and verse, and spanning scales from local to celestial, chanelling voices of the voiceless and the mighty, Fablesque speaks to the apocalyptic moment of the present. Harnessing folktale, fairy tale, and collage, the poems embrace constraint as a starting point for liberating new content and for addressing constructions and intersections of gender, race, power, and time
About the Author
Anna Maria Hong is the author of the novella H & G (Sidebrow Books), winner of the A Room of Her Own Foundation’s Clarissa Dalloway Prize, and Age of Glass, winner of the Cleveland State University Poetry Center’s First Book Poetry Competition and the Poetry Society of America’s 2019 Norma Farber First Book Award. Her second poetry collection, Fablesque, won Tupelo Press’s Berkshire Prize and is forthcoming in June 2020. A former Bunting Fellow at the Radcliffe Institute for Advanced Study, she has published poetry and fiction in over 70 journals and anthologies including The Nation, The Iowa Review, Harvard Review, Poetry Daily, Best New Poets, and The Best American Poetry. She joined the Literature faculty at Bennington College in 2018.
“Anna Maria Hong is a genius poet of fairytale language and conventions. In Fablesque, Hong explores the grammar of horror and hunger, survival and abuse across the contorted historical, cultural, and familial terrains of the Korean diaspora. Fablesque speaks an unflinching language, the language of translation, the translation of unspeakable historical and personal tragedy.”
—Don Mee Choi
“Anna Maria Hong has built a cage, a bestiary, a chamber, a barn, a Fablesque book with breathtaking and very strange grace. These poems are haunted by fairy tales, awakened to history, apprehensive about gender, and most of all kind. Hong has a rhythmic and talented soul. This new collection cements her status as an important 21st century feminist fabulist.”